If the 2015 Final Four teams were “Star Wars” characters

As a wee child, I watched WWF with the fervor that I now watch prime time soap operas. As the years passed, my dad told 12-year-old me that I would be better reading JFK’s “Profiles in Courage” instead of WWF Magazine. (Though the publication did publish my letter to the editor when I was 10.)

I ended up being more than OK with that. As I got older, I traded the Ultimate Warrior and Macho Man Randy Savage for Will Clark and Wesley Stokes. I no longer needed to root against Sgt. Slaughter, The Million Dollar Man or Rick Rude, because now I had Bill Self, Lebron James, and Kobe Bryant.

Because even though I knew WWF was not an actual sport, it gave me the outlet that baseball, college basketball and college football give me and so many others. Which is, to say, it gave me a chance to root for underdogs and unabashedly boo at the bad guys for whom I had nothing but abject loathing.

Sure, real sports have gifted individuals showing awe-inspiring athletic prowess and feature the joyous triumphs that can only come from teamwork. But we are kidding ourselves if we don’t think that at least part of the joy of watching sports comes from rooting for our heroes, and maybe more importantly, rooting against the villains.

Perhaps there is no forum that more succinctly displays this psychological aspect to sports fanaticism than the March Madness tournament. We cheer for underdogs who just barely scrape into the tournament and hope they will knock out a smug number 1 seed. We root for the earnest teams whose players’ back stories get us choked up. And just as importantly, we tune into games where our only vested interest is seeing a team lose, whether it’s to help our bracket or because we relish the possibility of trash-talking our friend who roots for Kansas even though she’s an otherwise lovely human being.

This year’s March Madness, and particularly this year’s Final Four, has had that delicious aspect of earnest heroes, fan favorites and universal villains. It mirrors pop culture’s best portrayal of the fights between good and evil.

That’s right, Padawans. This year’s Final Four is “Return of the Jedi” to the overall “Star Wars” universe that has been this year’s March Madness. Saturday, Wisconsin’s Luke Skywalker defeated Kentucky’s Darth Vader and Duke’s Emperor Palpatine dispatched of Michigan State’s Han Solo. And tonight, the earnest farmboy Luke Skywalker — in the form of a plucky, fun-to-watch Badgers team — will face the unrepentant Emperor Palpatine, represented by Duke’s aptly named Blue Devils.

You might protest, but search your feelings. You know this to be true.

Earnest and somewhat naive farmboy Luke Skywalker was the “Star Wars” series’ poster boy for unshakeable good, abandoning his training in “The Empire Strikes Back” so that he could go save his friends whom believed were in trouble. This strong moral compass fits nicely for University of Wisconsin’s home of Madison, a social activist’s haven where two’s a party and three’s a protest. It’s not a stretch to think that if Luke Skywalker were to be from any part of America, he’d be from the rural Midwest, where a strong work ethic, friendly demeanor and headstrong stubbornness are a way of life.

Michigan State is sarcastic smuggler-turned-rebel Han Solo. Michigan State didn’t garner any widespread fan hatred, but was also never cast as chipper underdog, either. Michigan State, while also Midwestern, does not have the golly-gee earnestness that Wisconsin does. Han Solo is ultimately a good guy, but he never wanted to be a good guy. He as not the series’ symbol of purity, because as a self-interested smuggler, never viewed good and evil as black and white. He was merely a means to get Luke to the main event, where he could face off against the villainous Darth Vader and purely evil Palpatine.

You might think that the Midwestern duo of Michigan State and Wisconsin would be better portrayed by twins Luke and Leia rather than Luke and Han. I considered that, but in the grand scheme of the 2015 March Madness tourney, Leia is Wichita State, because Leia defeated the horribly villainous Jabba The Hutt. By which, of course, I mean the University of Kansas Jayhawks.

And speaking of villains…

A long time ago in a galaxy far, far away, Darth Vader was once Anakin Skywalker. Sure, he was always obnoxious and somewhat full of himself, he wasn’t always the bad guy. Many have found Kentucky fans unbearable for years, as the fans have smugly boasted the team’s impressive legacy. Kentucky’s been a dynasty for years now, and that will always garner some envy and disdain. In that sense, Kentucky is the insufferable Anakin. But it was John Calipari who elevated the team to hatable Darth Vader status. By many, Coach Cal is seen as an opportunistic cheater who bends the rules and doesn’t play clean. Sounds about right for an intergalactic dictator who chokes people and blows up planets, right? If Kentucky were coached by a more likable, grandfatherly character such as Charlie Spoonhour or Al McGuire, would they be as hated as a Cal-helmed Kentucky?

Wisconsin defeating Kentucky this past Saturday was a rematch from when the two teams faced each other in the Final Four last year. Kentucky won that game, though, just like Darth Vader had won the last time he fought Luke Skywalker. In other words, the Final Four in 2014 was Kentucky cutting Wisconsin’s hand off and devastating the earnest team, and the Final Four in 2015 was that earnest team coming back with a green lightsaber to beat Kentucky.

But Vader was not Luke’s ultimate enemy in “Return of the Jedi.” Luke’s ultimate enemy was evil and temptation. Vader was a flawed character who had chosen the allure of the Dark Side, but he was not the representation of pure evil. That distinction went to Palpatine. In this Final Four, the only team hated as much or more by fans than Kentucky has been Duke.

Coach K is not the defining factor. He has his enemies, sure, but if he were replaced tomorrow, would Duke’s haters hate the team any less than they do today? Probably not, because more than Mike Krzyzewski, it’s Duke’s fan base that earns the team its role as super-villain. When reading a friend’s Facebook post about Duke this weekend, the thread contained the words “smug,” “arrogant” and “entitled” only a bajillion times.

Now, Duke fans are probably very lovely outside of the sports bar. I have friends who root for Duke. So, no, I don’t think that Duke fans are actually the representation of all evil and darkness. But hyperbolic exaggerations are the basis of our choices of whom we root for and boo in sports, which is why WWF’s cartoonish characters were such a hit.

And tonight, in a sports bar equivalent of the Mos Eisley Cantina, I’m going to affect a Wisconsin accent, shout out “uff da” and root for the Badgers. And come November, I hope my Missouri Tigers and Saint Louis Billikens don’t repeat their performances as, well, anything from “The Phantom Menace.”

RELATED: If Leonardo da Vinci tinkered the way George Lucas does…

If Leonardo da Vinci tinkered the way George Lucas does…

In the weeks since we’ve learned that George Lucas has tinkered with “Star Wars” yet again, this time for the Blu-ray release, the nerds have been livid.

I realize many of my non-“Star Wars” friends might not be able to appreciate what this means, so I decided to put it in terms you might understand.

I decided to show it terms of what it would be like if Leonardo da Vinci decided to mess with “The Last Supper” after it had been critically acclaimed and beloved for years.

Here we have the original version of “The Last Supper” by Leonardo da Vinci. In our example, this functions as the stand-in for the original “Star Wars” trilogy. In a word, a masterpiece.

If da Vinci did to 'The Last Supper' what George Lucas has done to 'Star Wars'

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In 1997, George Lucas re-released the trilogy with changes. Some of them were CGI changes to certain scenes. They were changes that were so nuanced that you’d have to look at the original and new version side by side to notice the differences. But there were two main changes:

1. In “Star Wars,” when Han Solo encounters Greedo and shoots him, the scene was changed to have Greedo shoot first and have Han fire a defense shot. Before, Han shot and killed him just because he was done with Greedo’s nonsense. But in the new version, it was an act of self defense. This angers the geeks to no end.

2. In “Return of The Jedi,” Lucas added a musical number to the scene in Jabba’s palace. It involves monsters singing and dancing as if it’s a Muppet show. That is what irks me.

So, these changes are akin what it would be like if da Vinci decided he wanted to horizontally flip “The Last Supper” and add in some of the canines from the “Dogs Playing Poker” painting.

If da Vinci did to 'The Last Supper' what George Lucas has done to 'Star Wars'

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Around the time “Stars Wars: Episode III —- Revenge of The Sith” was released, Lucas tweaked with the original trilogy again. This time, he changed the end of “Return of The Jedi” to use imagery of the new Anakin Skywalker, replacing the original footage.

To me, this akin to da Vinci saying, “OK, now I’m going to add Urkel from ‘Family Matters.'”

If da Vinci did to 'The Last Supper' what George Lucas has done to 'Star Wars'


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Then we found out that the Blu-ray versions would have even more changes, which was like adding a PhotoShop filter to something he’d already tinkered with a bunch of times.

If da Vinci did to 'The Last Supper' what George Lucas has done to 'Star Wars'

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And when we learned what those changes would be, it was even worse.

If da Vinci did to 'The Last Supper' what George Lucas has done to 'Star Wars'

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It would be like your mom deciding that your favorite meal she prepared was still not good enough, so he had to change it. She’d add thumbtacks, staples and manure until it was “just right.”

That’s what you’ve done to us, George Lucas. You’ve added manure to our favorite dish.

Harry Potter, Star Wars, Joseph Campbell and the hero myth

I wanted to share with you a chart from the Ideas section of this Sunday’s Boston Globe. Using the archetypes described in Joseph Campbell’s “The Hero With a Thousand Faces,” the chart compares characters from the Harry Potter series, “Star Wars,” “The Matrix,” “Lord Of The Rings” and… “Finding Nemo.”

Click for a larger view.

Boston Globe chart comparing Harry Potter, Star Wars, The Matrix, Lord of the Rings and Finding Nemo using Joseph Campbell hero archetypes

HOW IT CAME TOGETHER

I’ve long kept a graphics notebook in which I jot down and scribble ideas as they occur to me. I’m currently on the fifth notebook.

In the summer of 2007, I caught up with the world and finally began reading the Harry Potter books. I started a month or so before the final book was released. Thus, I got to start with the first book and read the entire series without pausing in between books. The day I finished the seventh book, my mind was racing with ideas. Once such idea:

I jotted whatever came to my mind, knowing I could edit it later. I had long seen the similarities in other sci-fi and fantasy movies, as I had some teachers in high school who riffed on those concepts in class. The idea sat in the notebook for almost four years. (Note to those who know me: check the date on the top of the notebook entry.)

Flash forward to this current summer, four years and one newspaper after I first read the Harry Potter books and had the idea. Colleague Ryan Huddle was working on his great Harry Potter treatment, which you can read about on Charles Apple’s blog. Dan Zedek, AME for Design, asked if I might have any ideas for “The Deathly Hallows,” as he had seen what I had done for the last Indiana Jones movie. I told him about the aforementioned notebook submission, and added that we didn’t have to focus solely on Biblical characters. We could open it up to the hero archetypes explored by Joseph Campbell, who literally wrote the book on the topic.

The next day, Dan told me he had run the idea by Steve Heuser of the Ideas section. Steve had thought the idea had potential and wanted me to rough up some notes to use as a jumping-off point. I consulted assistant graphics editor Javier Zarracina, who was a wealth of ideas. We looked up the hero myth structure, which can be very simple or complicated, depending on who’s dissecting Joseph Campbell’s books and lectures. Additionally, I am especially indebted to Mike O’Brien and Rob Bergman from DeSmet Jesuit High School in St. Louis, as they gave me tons of ideas and sites to consult.

Working with Steve and Javier, I tightened the focus to the archetypes and left out the comparisons of plot. I used Harry Potter, “Star Wars,” “Lord of the Rings” and “The Matrix,” but decided to leave off the Narnia movies. For one, I had only seen the first movie, which hadn’t had the same mass appeal as the others on the list. Steve suggested we try to find a movie that used the same archetypes but that deviated from the serious sci-fi/fantasy realm. I suggested “Finding Nemo,” and he laughed so hard that I knew we had a winner.

I originally structured the chart in a rather traditional, straightforward way. Steve suggested I use the whole width of the page, and Javier suggested I cut out some of the photos using silhouettes. Lisa Tuite and Wanda Joseph-Rollins of The Boston Globe library both helped pull photos to use. Dan helped me vary the cutouts so that they seemed more dynamic. We tweaked and tweaked, and I liked each version more than the previous versions. The graphic ended up on Boston.com by Friday afternoon.

ABOUT THE MOVIES WE DIDN’T USE

There were a ton of movies we could have used, because there are a ton of movies that use these archetypes. Besides the Narnia films, both the “Batman” series and “The Princess Bride” were suggested, as were several westerns and Akira Kurosawa films. Many non-fantasy films were suggested, too. These were all great suggestions, and I thank all of you whom I e-mailed for advice.

Ultimately, Steve, Javier, Dan and I kept the list limited to big movies and series from the past 10 years or so. We could have easily done a full-page chart with more than a dozen films and still not even scratch the surface of the films who’ve used these archetypes. The whole point of this chart is that these tropes are ubiquitous.

In addition to the films we chose (or didn’t choose), readers might take issue with the specific characters we chose for the categories. Within the newsroom, we had lots of differing opinions. Ultimately, I think this shows we came up with a great idea that will have people talking. A “talker,” if you will. Or a “Hey, Martha.”

Working on this chart appealed to several of my geek loves: “Star Wars,” philosophy, Harry Potter and infographics. Dan frequently likes to tease me for my references to “Star Wars” and “Harry Potter.” If only I could have referenced Scrabble, “The X-Files,” “Battlestar Galactica” and “Melrose Place,” the Pat Garvin interests could have all been referenced.

Next time.

When two of my nerd loves collide

GraphJam has been one of my favorite sites for a while, posting simple charts based on pop culture. And I’m a huge “Star Wars” nerd. Thus, this piece I found today was really cool.

via GraphJam

When I first looked at it, though, I was expecting it to be all about Darth Vader. Instead, it’s a potpourri of information about all the movies and various characters. That doesn’t bother me; of all the images from “Star Wars,” I’m not sure you can find one more iconic and ubiquitous than the Darth Vader mask.

What I appreciate about this is what doesn’t have to be shown. The type sets the boundaries for you and then your mind fills in the rest. You look at this and know it’s the Darth Vader mask. I’m sure others in the graphic design field would have a few changes they’d make if they were doing it themselves, but I think they’d mainly look like this one.

When I’ve made images using typography, I’ve felt challenged with making it look exactly like the individual. I’ve filled every spot and don’t want any white space. In this case, though, I like the white space. (Even though it’s “black space.”)

Got any cool typography pieces? Send ’em my way. Got any cool “Star Wars” examples? Send ’em my way.