A look at the Boston Globe’s Boston Marathon bombing infographics

This past week, the graphic artists and page designers at the Boston Globe did some great work to explain what happened at the Boston Marathon and during the manhunt. I was out of town for much of the week, so I only worked on a few graphics. The great graphic work from the Globe this past week was a huge effort by colleagues James Abundis, David Butler, Robert S. Davis, Chiqui Esteban, Kevin Golden, graphics director Javier Zarracina and assistant managing editor Dan Zedek.

Here are some of the graphics produced this past week. To see larger versions, click on any images.

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Graphics director Javier Zarracina put together this map Monday, the day of the bombings, for Tuesday’s paper. This is not pointed due north, but rather due southwest, for perspective.

Boston Globe graphics after Boston Marathon bombings

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Here’s a slightly zoomed-out view of the finish area, showing a little more detail.

 

 

Boston Globe graphics after Boston Marathon bombings

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Here’s the area that was treated as a crime scene the days after the blast:

Boston Globe graphics after Boston Marathon bombings

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For Sunday’s paper, we ran vignettes of people who had been at and near the finish line when the bombs went off. The map shows where they were, and what happened to them after the explosions. This was part of a special “Terror at the Marathon” section designed by Robert S. Davis.

There were several reporters on this, as the gang byline at the bottom shows. It took some coordination to plot who was where, and then to triple-check all of it. David Filipov and Steve Wilmsen served as the main point persons on this, and were key to producing this map.

 

Boston Globe graphics after Boston Marathon bombings

 

To read the story, click here.

To see Chiqui Esteban’s interactive graphic of this map, click here.

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For Wednesday’s paper, James Abundis put together this in-depth look inside the medical tent that was turned into a functional triage unit. Click on the image to see more. Lots of detail in this graphic.

Boston Globe graphics after Boston Marathon bombings

To read the story, click here.

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As more detail about the actual bombs emerged, James Abundis put together this graphic.

Boston Globe graphics after Boston Marathon bombings

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How the manhunt unfolded Friday:

Boston Globe graphics after Boston Marathon bombings

 

Boston Globe graphics after Boston Marathon bombings

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As details emerged about the Tsarnaev brothers, attention turned to their journey from Kyrgyzstan to Cambridge.

Boston Globe graphics after Boston Marathon bombings

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Again, it must be said that the great graphic work from the Globe this past week was a huge effort by colleagues James Abundis, David Butler, Robert S. Davis, Chiqui Esteban, Kevin Golden, graphics director Javier Zarracina and assistant managing editor Dan Zedek.

 

 

 

 

How to get a hand-drawn look in your infographics

Several years ago, a colleague taught me a trick that gives you the appearance of hand-drawn detail in infographics: you take your vector graphic, draw some shadows and then touch it up in Photoshop. It’s a trick that gives your work a sense of elegance, even if you don’t consider yourself artistic. And it’s a trick that I used for an information graphic that ran in this Sunday’s Boston Globe as part of the “Living Longer, Living Better” section.

Start with a basic vector version of your image and print it at a larger scale than you expect it to run in print. Some say to print it at 125 percent of the final size, and others say 175 percent. The point is, print it at a size larger than it actually is. Assistant graphics editor Javier Zarracina said that 175 percent is probably the maximum size, as you don’t want it to have to shrink it so much that the pencil details blend together into a dark blur.

Next, use a pencil to add shadows and depth to the image. The pencil work doesn’t have to be too clean or detailed, because its imperfections will be minimized in the later version. Javier said that it helps to not be as careful as you would be with a normal drawing.

Here’s my initial drawing of a knee replacement:
Patrick Garvin and Boston Globe infographic using hand-drawn images
Hip replacement:
Patrick Garvin and Boston Globe infographic using hand-drawn images
Once you’ve finished adding the pencil, scan the image. Scale it to the size it will be when printed. The scratchy pencil work, when scaled down, looks a lot more detailed and precise than it did on paper. In Photoshop, adjust the contrast and shadows if needed.

In Illustrator or Photoshop, add the color. I usually add a slight Gaussian blur to give it that imperfect hand-painted look. It helps if the color is not uniformly distributed but instead darker or lighter in some spots. For this knee and hip replacements graphic, I used some dark blue at a light opacity to strengthen the shadows and add shadows in spots I had missed. In the hopes of increasing the sense of contrast, I added white in areas that seemed too dark. I got those suggestions from Javier, which I think helped.

 

Patrick Garvin and Boston Globe infographic using hand-drawn images

 

Patrick Garvin and Boston Globe infographic using hand-drawn images

 

Lastly, replace the vector placeholders in your infographic with the colored images. And voila! You have a hand-drawn graphic!

 

Patrick Garvin and Boston Globe infographic using hand-drawn images

 

I like this style for medical graphics and diagrams of the body. Even when I don’t use a hand-drawn look, I’m still a fan of creating an image at a larger size than you intend to run it in order to condense the detail. The results are subtle, but it gives the effect of shadows.

A few things really help when working on a project like this:

  • If you can have most (or all) of the text edited before drawing the images, it saves you from having to move stuff around later. Furthermore…
  • Make sure you, the reporter and editor(s) are all on the same page in terms of how many steps you want to include.
  • If you’re sending the graphic to a source to double-check it for accuracy, you might find that he or she wants you to add or remove steps. It’s easier to make those changes if you haven’t yet scanned the image yet.
To see the version of the graphic that ran on Boston.com, go here.
To read Rob Weisman’s story about knee and hip replacements on Boston.com, go here.
To see the entire “Living Longer, Living Better” section on Boston.com, go here.

 

To see the version of the graphic that ran on BostonGlobe.com, go here.
To read Rob Weisman’s story about knee and hip replacements on BostonGlobe.com, go here.
To see the entire “Living Longer, Living Better” section on BostonGlobe.com, go here.

More Boston Globe infographics about Japan, nuclear plants

In the last week, all hands have been on deck in the Boston Globe infographics department for our coverage of the nuclear crisis in Japan and what it means for nuclear plants in the U.S., particularly in New England. We’ve had great work from David Schutz, Javier Zarracina, David Butler, James Abundis, Daigo Fujiwara and Monica Ulmanu.

Below is just some of the stuff we had from March 14 to March 18. We used a variety of approaches for the variety of stories and angles, and I think we’ve been doing a great job. Needless to say, I love working with these people.

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MONDAY, MARCH 14, 2011

On the Sunday after the earthquake, the focus of the story had shifted to the Japanese reactor and the crisis at the nuclear plant there.

David Butler and I worked on the graphics for that Monday’s paper, including this one here. Butler found an earlier Associated Press graphic, but then simplified some of the steps and colors. Additionally, he added some details not in the original graphic, using information we got from reporter Carolyn Johnson and David Schutz, Deputy Design Director/News & Graphics.

Here’s a look at that graphic. Click on it for a larger view:

Boston Globe Fukushima infographic by David Butler and Patrick Garvin

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TUESDAY, MARCH 15, 2011

The next day focused more on the plant at Fukushima. Here’s a front page graphic. Click for a larger view.

Boston Globe Fukushima infographic

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WEDNESDAY, MARCH 16, 2011

James Abundis put this graphic together explaining radiation levels. The questions many people had were, “How much radiation has been released by the Fukushima plant?” and “How does that compare to other radiation levels?” This infographic answers those questions simply but thoroughly. Click for a larger view.

Boston Globe infographic

Inside the A section, we had this infographic explaining the risks of nuclear meltdown and the potential worst-case scenarios.

Boston Globe  infographic

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FRIDAY, MARCH 18, 2011

The problems with the boiling water reactor in Japan shed light on the BWRs and PWRs here in the states, particularly three in New England: Vermont Yankee Nuclear Power in Vernon, Vermont; Seabrook Station in Seabrook, New Hampshire and Pilgrim Station in Plymouth, Mass. David Schutz had put together a map of historic earthquakes last year, so I updated that to show these three reactors. Click for a larger view.

Boston Globe  infographic

Inside, we had a graphic by Monica Ulmanu and Javier Zarracina explaining the safety measures in place at those New England nuclear plants, with an assist by Boston Globe reporter Beth Daley. Click for a larger view.

Boston Globe  infographic

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These are just some of the graphics we did this past week. It’s been a team effort, with work by everyone in the department.

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